In the thrill-a-minute world of freelance writing (I am only half joking there), clients can come and go as unexpectedly as the Red Bull van that pulls up beside the park and starts handing out free energy drinks. (Or am I the only one who’s witnessed that?)
This unpredictable ebb and flow can of course be a source of consternation for freelancers, but on balance over the past two-plus years, I’ve found it to be mostly energizing—as well as a good way to practice living in the moment: it’s unwise to become attached to even one’s most cherished clients, as you never know when they might, I don’t know, move to Canada and change their whole business model, or decide that you’ve been so helpful that they now want to hire a full-time person to do what you’ve been doing for them freelance. (Both of those things did indeed happen to me this year.)
While I’ve learned to feel less disappointment when great clients depart, I still feel untempered enthusiasm when they arrive—or, in the cases below, when they re-arrive! (Shoutout to my James Joyce people: both of these clients rearrive[d] from North Armorica. If that means what I think it does, which is debatable.)
Here’s a hearty “hello again!” to:
I’ve been working in different capacities with the terrific people at this singular institution since fall 2014 (and boy is my brain getting a workout). Last month, they brought me on as Assistant Editor of their terrific magazine, Sarah Lawrence. I’m super-psyched to keep writing stories for them (like this profile of a student who’s teaching kids in a local community garden), as well as learn more about the inner workings of such a venerable publication.
It’s plastic (in this case, denoting malleability)! It’s architecture! It’s BOTH!
I met this workplace design consultancy’s ingenious founder Melissa Marsh at the Wood at Work conference last year, and helped her with some one-off writing projects this year. Recently, she’s decided to step up her company’s editorial game and has been showing me the PLASTARC ropes: their monthly newsletter, thoughtful event summaries, and the many guest contributions they make to industry publications. One of my fun gigs this fall was reporting on a public program called, “I Love This Place! Social Research-Driven Design.”
I’m very happy to be embarking on a new year with these two terrific new-ish clients. While I might find the lyrics to some Ratt songs as obscure as lines from Ulysses, I think I know what they mean when they sing:
Round and round
With love we’ll find a way just give it time
Round and round
What comes around goes around
I’ll tell you why
One thought on “In freelancing, as in hair metal, what goes around comes around (sometimes)”
[…] Such was the case a year ago last May, when I met Sarah Westlake—esteemed writer, teacher, and editor of the ArtPlace America blog—at a birthday party in (where else?) Brooklyn. It turned out we had some friends, some favorite beers, and some editorial pursuits in common. She told me she might have some work for me in the future, and before parting ways, we exchanged business cards. I was excited, but tried to keep calm, since I’ve learned anything can happen in the wild world of freelancing. […]