ArtPlace America: Birthdays & Anniversaries Edition

I like birthday parties as a rule, but when attending one leads to new friends, new work, and new travel possibilities, my like grows into love.

Such was the case a year ago last May, when I met Sarah Westlake—esteemed writer, teacher, and editor of the ArtPlace America blog—at a birthday party in (where else?) Brooklyn. It turned out we had some friends, some favorite beers, and some editorial pursuits in common. She told me she might have some work for me in the future, and before parting ways, we exchanged business cards. I was excited, but tried to keep calm, since I’ve learned anything can happen in the wild world of freelancing.

ArtPlace Annual Summit 2018 Polaroid Louisville Kentucky

A vision of things to come
(portrait by the singular Eli Keel: twitter.com/thateli)

Happily, this chance meeting was not my last with Sarah. Fast forward a handful of months, and I was pitching her story ideas and starting to write some posts. (You can peep the first few here, on the topics of: health equity and art; preserving black culture in gentrifying neighborhoods; and a public utility’s investment in their community’s story.)

I was already stoked with the new gig, but when Sarah asked if I could cover a couple of upcoming creative placemaking conferences happening in other states, my stoked-ness increased. While I’ve learned that traveling for work has its ups and downs, I still get a kick out of it. Plus I had never been to Madison, New Jersey (“A Town Right Out of Central Casting“) or Louisville, Kentucky (home of bourbon, baseball bats, and that famous derby), which meant one more uptick on the stoked-o-meter. So I packed my bags and experienced every major public transit typology to help document the Creative Placemaking Leadership Summit’s Northeastern Corridor Conference on May 3 & 4 and the ArtPlace 2018 Annual Summit, May 21 – 23.

If I were to sum up these trips in two words, I would use the words: GOOD STUFF.

My posts from the events are still in process, so I’ll have to leave you with that verbal cliffhanger for now, but I can share a handful of my choice snaps from in and around the proceedings:

Woven tapestry featuring people

One of Ebony G. Patterson’s remarkable photo tapestries
(exhibited at the 21c Museum Hotel Louisville)

Shine Bright cardinal mural downtown Louisville Kentucky

Rad mural in downtown Louisville
(if anyone knows who painted it, please leave a comment!)

Skippy in the trash can

One or another of America’s finer airports, exhorting you to throw your perfectly good food and toiletries into the garbage

A big thank you to Sarah, ArtPlace, and a couple of groovy U.S. states I don’t often get to for extending me such a warm welcome this past year. I hope our relationships can enjoy that most oft-uttered of birthday wishes: many happy returns.

Small world: Sassy dictionary tweets, meet progressive Southerners

Sometimes, it all comes together.

For the back cover of the Spring 2018 issue of Sarah Lawrence magazine (theme: “democracy & education”), I had the great good fortune of interviewing SLC alumna Lauren Naturale, former Content and Social Media Manager for Merriam-Webster—aka the woman behind all those sassy tweets that helped get you through the beginning of the Trump administration. I’m not on Twitter much myself, but even I followed along.

In person, Lauren was even more incisive than her famous tweets, while also being warm and funny.  Our conversation netted way more good material than the cover could contain, so my editor and I put together a fun “web extra” to take some of the spillover.

Word Nerds story with photo of blonde woman

Click for the full story!

That would have been enough awesome for me for one issue. But I also got to write about the invincible Polly Hoben Greenberg, a college alumna and one of the brains behind the Child Development Group of Mississippi, which launched that state’s Head Start program. Among other brilliant moves, Greenberg helped to recruit local black women with little formal education to lead those Head Start classrooms, and she produced an album of children’s music that included many freedom songs and spirituals and was released by Folkways Records (now a part of the Smithsonian).

Vinyl LP with little boy making peace sign

Click for the full story!

Definitely an embarrassment of riches now, right? But wait, folks—there’s more!

The cover story of this issue is Moises Serrano, an imminent SLC alumnus and rising star activist for both Dreamers and LGBTQ rights. In anticipation of the issue coming out, Arthur and I watched the award-winning documentary Forbidden: Undocumented & Queer in Rural America, which follows Moises through several seasons of his life and work. About 15 minutes in, there’s a scene in a small church in North Carolina where Moises is presenting about the lesser-known hardships many immigrant communities face, like depression and teen suicide.

Forbidden documentary Moises Serrano

Click for the full story!

“Hey, is that Zach?” we suddenly asked each other. We ran back the video and yep, there he was: Arthur’s uncle Zach sitting in a pew, nodding thoughtfully to Moises’ words. What were the chances?! Zach—a former minister, current health care justice advocate, and lifelong civil rights activist—showed up again thirty minutes later, in another clip from the church event. Guess great minds are bound to be in the same place at the same time.

While I think every issue of Sarah Lawrence is worth reading (and I’m not biased at all), this one makes some particularly good connections.