In June, I had the pleasure of writing for one of my clients about BEEcosystem, a modular honeybee hive made for today’s urban lifestyles. It sits inside your apartment!! You let the bees out to frolic and pollinate through a tube. You have to see it; it’s great.
I interviewed the invention’s founders, awesome Pennsylvania dudes Mike Zaengle and Dustin Betz (I really do love Pennsylvania), and they had lots of interesting and important things to say about reestablishing our connection to the origins of our food, Colony Collapse Disorder, and how one in every three bites we eat was probably produced by a pollinator.
But what’s stuck in my mind most since then was Mike saying, “I had thought being outside in the yard with the BEEcosystem tube coming through the window might make me nervous, but after I worked with honeybees for a while, I realized they’re much friendlier than I thought. You can definitely walk around doing yard work all afternoon and they won’t bother you!”
BEEcosystem is in the midst of a Kickstarter campaign to get this shizz off the ground. Throw a little dough their way, honey, and help grow the buzz!
Oh, and what was that about Trisha Brown at the beginning? It’s an all-but-unrelated quote (especially now that Mike’s weighed in about the bees not going into your face) from a wonderful interview with her by the inimitable M.J. Thompson—titled “Dancing? ‘It’s Awesome’ “—in one of my erstwhile stomping grounds, The Brooklyn Rail. I read it in 2009 and haven’t forgotten it. An excerpt:
Bob [Rauschenberg] and I were very close. I had the best dialogues with him. Bob had a fix on me like no one else. He called me at least once a week, especially when he was in New York, and said, “I’ve got an idea for you.” And I’d say, “Wait, I’m already working on the piece. Write it down, save it for me. And if you have another urge to talk to me call my office, it’s four in the morning.” He had a sterling vision [Thinking for a moment, then demonstrating: hands and arms cutting downwards quickly, away from her face]. Do you remember that part? What I call the “bees going into your face” part? I was working the edges of what was acceptable but at the same time the piece was a study in structuralism and scale and bees going into face.